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thefilmstage:
“With his tirelessly brutal movies, Eli Roth isn’t for everybody. Hostel and Hostel II aren’t exactly easy watches, but Roth does what he does well, even if it’s not one’s cup of tea. The filmmaker’s work is at its most enjoyable when...
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thefilmstage:
“With his tirelessly brutal movies, Eli Roth isn’t for everybody. Hostel and Hostel II aren’t exactly easy watches, but Roth does what he does well, even if it’s not one’s cup of tea. The filmmaker’s work is at its most enjoyable when...
Zoom Info
thefilmstage:
“With his tirelessly brutal movies, Eli Roth isn’t for everybody. Hostel and Hostel II aren’t exactly easy watches, but Roth does what he does well, even if it’s not one’s cup of tea. The filmmaker’s work is at its most enjoyable when...
Zoom Info

thefilmstage:

With his tirelessly brutal movies, Eli Roth isn’t for everybody. Hostel and Hostel II aren’t exactly easy watches, but Roth does what he does well, even if it’s not one’s cup of tea. The filmmaker’s work is at its most enjoyable when there’s a playfulness to the horror, which is why Roth’s latest, Knock Knock, a thriller full of laughs, is his most entertaining picture to date.

When Evan Webber’s (Keanu Reeves) wife and kids go to the beach for the weekend, the architect is left on his own to get some work done. On a stormy night, there’s a knock on the door. At Evan’s doorstep is two beautiful young girls, Genesis (Lorenza Izzo) and Bel (Ana de Armas), lost on their way to a party. When it comes to tempting the married man into a threesome, the girls are about as subtle as Clint Eastwood, and eventually the hesitant Webber gives in. The next morning he feels regret, but soon he’ll suffer through far more than guilt.

Read our full review.